NOTE:

11th Circular Exhibition of Photography

DPA INTERNATIONAL CIRCUIT 2024 

A) OPEN COLOUR (colour digital) PSA PID Colour  

B) LIFE COLOUR (colour digital) PSA PID Colour

C) WOMAN COLOUR (colour digital) PSA PID Colour

D OPEN MONOCHROME (monochrome digital) PSA PID Monochrome

E) NATURE (colour/grayscale digital) PSA ND

F) PHOTO TRAVEL (colour/grayscale digital) PSA PTD

JUDGING METHOD

Remote judging of images will be with calibrated computer monitors (minimum 19 inches) or high definition TV screens at 100% of the submitted pixel size (1920x1080 pix).

Equipment will be capable of displaying images at 100% of the image resolution, it will not resize any submitted images or change the aspect ratio of the original image to “Fit to screen” or to “Fill screen” by monitors or HDTV equipment.

Oversized images will be rejected and the entrant required to resubmit their entry with properly sized images.

All information, including image file names, provided to the judges for remote judging must retain complete anonymity of the entrants and not provide the judges with any means of determining any entrant’s personal details, such as name, email address, or country.

The target acceptance rate is up to 30% in each section. 

DATA PROTECTION

By entering this exhibition, you are explicitly consenting to the personal details you have supplied, including physical addresses, email addresses, being held, processed and used by the exhibition organizers for purposes associated with this exhibition. You also explicitly consent to such information being sent to organizations that have accorded official recognition, patronage or accreditation to this exhibition. You acknowledge, agree and accept that by entering this exhibition, your participation status which includes your first and last name, name of the country used during registration at the exhibition, number of sections entered and number of photos entered in those sections will be made public in a published status list and that the results of your entry shall be made public in exhibition gallery, exhibition catalog. You also agree and accept the policy regarding Breaches of Rules of the PSA.

CC - Subject matter and definitions

Statement on Subject Matter - applicable to all sections

The fundamental rule that must be observed at all times and applies to all sections offered in exhibitions with PSA recognition is that the welfare of living creatures is more important than any photograph. This means that practices such as baiting of subjects with a living creature and removal of birds from nests, for the purpose of obtaining a photograph, are highly unethical, and such photographs are not allowed in any exhibition with PSA recognition. Under no circumstances may a living creature be placed in a situation where it will be killed, injured or stressed for the purpose of obtaining a photograph. Images that show live creatures being fed to captive animals, birds or reptiles are not permitted under any circumstances.

There are also concerns about the use of aerial photography, drones, helicopters, low flying aircraft. These should not cause any interference with other individuals or animals which causes a disturbance in their normal activity or disrupt the way any individuals or animals interact with their environment. Entrants in PSA recognized exhibitions should comply with all relevant laws and regulations, associated with aerial photography, in the country in which the image was taken. Entry into PSA recognized exhibitions is conditional on accepting these policies. The content of images must comply with the General Conditions and with the Division and Section definitions listed in these conditions.

Images that - in the sole opinion of the judges- do not comply, will be disqualified so the entrant may be aware of the problem when considering entry into other exhibitions with PSA recognition.

Life Definition in PID-C

 The closest definition of Life photos, pictures of everyday life on which depict people, events, phenomena - Life itself. Monochrome images may not be entered in PID Color Sections.  

Attention is drawn to the PSA Statement on Subject Matter which applies to all sections

Definition of Woman Colour in PID-C

The closest definition of Woman section, photography where the only condition is that the subject is female.

Attention is drawn to the PSA Statement on Subject Matter which applies to all sections

PSA Monochrome Definition

An image is considered to be Monochrome only if it gives the impression of having no color (i.e.

contains only shades of grey which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, etc.)  A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.

Greyscale Monochrome images may be entered for Nature, and Photo Travel but toned images are not permitted for these sections.

Monochrome images may not be entered in color sections of PPD or PID.

Attention is drawn to the PSA Statement on Subject Matter which applies to all sections.

Attention is drawn to the PSA Statement on Subject Matter which applies to all sections.

Editing Guidelines for Nature and Photo travel 

These sections require images to be truthful records, so there are limits on the amount of manipulation allowed.

Editing Guidelines

Processing or editing must be limited to making the image look as close to the original scene as possible, except that conversion to grayscale monochrome is allowed. Allowed editing techniques:

•       Cropping, straightening and perspective correction. 

•       Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration and lens distortion.

•       Global and selective adjustments such as brightness, hue, saturation and contrast to restore the appearance of the original scene.

•       Complete conversion of color images to grayscale monochrome.

•       Blending of multiple images of the same subject and combining them in camera or with software (exposure blending or focus stacking);

•       Image stitching – combining multiple images with overlapping fields of view that are taken consecutively (panoramas);

Editing techniques that are not allowed:

•       Removing, adding to, moving or changing any part of an image, except for cropping and straightening.

•       Adding a vignette during processing.  

•       Blurring parts of the image during processing to hide elements in the original scene.

•       Darkening parts of the image during processing to hide elements in the original scene.

•       All conversions other than to complete grayscale monochrome. 

•       Conversion of parts of an image to monochrome, or partial toning, desaturation or oversaturation of color Borders

F2023For the purpose of this exhibition any border added to a digital file must be a single border of white or grey, no greater than 3-5 pixels in width.

PSA/FIAP Nature Definition

Content Guidelines

•     Nature photography records all branches of natural history except anthropology and archaeology. This includes all aspects of the physical world, both animate and inanimate, that have not been made or modified by humans.

•     Nature images must convey the truth of the scene that was photographed. A well-informed person should be able to identify the subject of the image and be satisfied that it has been presented honestly and that no unethical practices have been used to control the subject or capture the image. Images that directly or indirectly show any human activity that threatens the life or welfare of a living organism are not allowed.

•     The most important part of a Nature image is the nature story it tells. High technical standards are expected and the image must look natural.

•     Objects created by humans, and evidence of human activity, are allowed in Nature images only when they are a necessary part of the Nature story.

•     Photographs of human-created hybrid plants, cultivated plants, feral animals, domesticated animals, human-created hybrid animals and mounted or preserved zoological specimens are not allowed.

•     Images taken with subjects under controlled conditions, such as zoos, are allowed.

•     Controlling live subjects by chilling, anaesthetic or any other method of restricting natural movement for the purpose of a photograph is not allowed.

Attention is drawn to the PSA Statement on Subject Matter which applies to all sections and to the Editing Guidelines for Nature, and Photo Travel

Photo Travel

A Photo Travel image is a portrayal of the real world we live in, as it is found naturally. There are no geographic limitations.

Content guidance:

1.      If the image is predominantly or exclusively a land-, sea- or cityscape, these “scapes” must include characteristic, distinctive and recognizable physical features, although it is not necessary that the image identify the exact location;

2.      Images that predominantly or exclusively depict people and their activities must illustrate a distinctive culture of a country, region, or continent;

3.      Images that predominately or exclusively depict animal populations are allowed, if the animals are in their native environment and are characteristic of that country, region, or continent;

4.      Portraits or other close-ups of people or objects, in addition to meeting the above paragraphs as applicable, must include elements depicting some of the surrounding environment to make it obvious that the image was not taken in a studio setting;